Articles with the review Tag

I already had this thought bouncing in my head when I logged on this morning. It’s why I logged on to make a post. Before I wrote it down, though, I had to go peek at the headlines of the other blogs I follow, and thought it was funny that Time of Nervous Waiting was sitting out there approaching this from a very different perspective. It’s not really a parallel, more like a perpendicular. (And that, folks, is about all the geometry I know).

Anyway…as I started writing this, I realized it needed to be two posts – one rife with opinion, and the other more advice-based. This is the advice half – you’ll need to hop over to my personal blog to read the opinion half.

When I first get a story idea – when it’s bouncing around in my skull and begging to be listened to – it’s in the format I want it to be in. It’s the story I want to hear, and it’s got the characters I want it to have. Frequently it even makes it into first draft form that way. And if I was only writing for me, it would stay that way forever. To say that I dislike revising my work would be a gross understatement.

But I’m not just writing it for me. I want other people to see my work. I want it to speak to them the way the original idea spoke to me, and I want to evoke emotions and build worlds that allow them to escape, even if it’s only for a little while. That, and I love the rush that comes from seeing my name in print.

That means during the revision process, I have to make changes and tweaks so the story appeals to other readers. I have to clarify things that make sense to me only because it’s my world. I have to edit, refine, define characters, and pour depth into the original thought. I don’t think like other people – everyone thinks differently, I’m not unique in that regard – so that means I need help figuring out what components are missing, convoluted, unneeded, you get the point.

If you’ve ever heard that you should have people read your work and give their opinions before you submit it, it’s true. That’s not advice you can ignore. I envy those writers who have a wide enough circle of friends that they can get honest feedback from people they know in real life. That doesn’t mean mom tells you it’s wonderful and gives you another piece of apple pie. It means George in accounting spends the bus ride home pouring over your words and then says, “Why did your protagonist jump? Where’s the passion in your relationship? And by the way, I absolutely loved your spy agency; it was so real to me.”

Even though George in accounting doesn’t care one way or the other for my angels, I’m fortunate enough to belong to two online critique groups that do exactly that for me. I don’t always agree with their opinions, but I wouldn’t be what I am today without them. Two and a half years ago when I first ‘met’ some of them, I thought my work was ready to go to press tomorrow. Yeah…it wasn’t. I would have gone through rounds and rounds of rejections from publishers and agents and never known why if I hadn’t learned to listen to them, and trust my own instinct about which advice to take and when.

I guess the point is – even if you’re the next George Orwell, William Shakespeare, or Danielle Steele – don’t believe it until you can find opinions you trust to confirm it. It may take some digging, but there are people out there who want to read and give advice on what you’ve written. If there weren’t, you wouldn’t have a market for your story, right? After all, that first draft is for you, the final draft is for everyone else.

Where do you go for opinions, reviews, and critique of your writing?

3 August 2010

This month, Writer’s Round-About welcomes Melissa Hart, a talented memoirist and freelance writer as she tours the Web with her new book, “Gringa: A Contradictory Girlhood“. You’ve already heard from Melissa with her fabulous guest post, “Writing, Romance, and Child-Rearing: A Critical Balance“, and Cindy Hudson reviewed Melissa’s book for us sharing the warmth and insight of the book and giving us an eye into Melissa’s world.

Melissa, thank you so much for joining us this month. It’s an pleasure to have you with us and I appreciate your taking the time to talk with me today. Lets get down to finding out your answers to some of my burning questions, then we can open up the floor to let others ask theirs.

1. In “Gringa“, you write about “a lesbian mother”, how do you think your relationship with your mother, and her inter-personal relationships, affected the way you develop characters as a writer?

My mother came out when I was a pre-teen, but I didn’t know what being a lesbian meant. For a few months, there was all this secrecy around her moving in with a woman; my father and his mother whispered about it and told me my mother was “ill.” He took us to a social worker who grilled us about where my mother and her partner slept and whether they hugged and kissed in front of us.

I learned to analyze people both for how they presented in public and for their hidden motivations. I don’t mean to sound paranoid; we all hide our motivations, and the emotions driving them, on occasion. I learned to develop multifaceted characters by studying both the public and private persona of my family members. Every other Friday and Sunday night when I traveled up the Pacific Coast Highway with my mother, we discussed how we’d been separated by the legal system and why. She was studying psychology at the time, and I remember talking about our family with respect to Freud and Jung and Rogers, and later–when I took psychology classes in college–to my social psychology professor Eliot Aronson.

In Gringa, I’m particularly proud of resisting the temptation to portray my father as simply a homophobic bully. Many reviewers have noted that I don’t place blame in the book. While I’d disagree that I don’t blame my father for some of the events in my childhood, I’ve tried hard to show his side of the story, as well.

2. The Latina culture is considered deeply sensual and erotic, how do you feel that culture and “a deep desire to be a Latina” influences your writing?

My perceived lack of culture shaped my writing for years. Growing up as a minority in multicultural schools, and visiting my mother who lived in a Latino neighborhood in Oxnard, I felt inadequate in terms of my skin color, food and music choices, lack of religion with its white dresses or Buddhist shrines. I didn’t perceive the Latina culture to be “deeply sensual and erotic” until college, however, when I was still figuring out who I was as a sexual person with an older, very sexually-secure Latino boyfriend. I’ve got a story coming out in The Los Angeles Review in a few months that illustrates my struggle to be erotic without really knowing what that meant.

3. You’ve had the opportunity to travel to other countries, each with a unique culture and people. What do you feel is the most significant lesson you’ve learned about the people and relationships in other countries that finds its way into your writing?

There’s a lot of hype about how people from other countries don’t like Americans. I’ve been traveling internationally for a couple of decades, and I haven’t found this to be true. I think when you approach a new country and its people with an open mind and an open heart, with humility and curiosity, people welcome this.

I went to Amsterdam a few years ago to present a paper on training a permanently-injured Snowy owl for the International Association of Avian Trainers and Educators; here, touring the Artis Zoo and sharing our various bird-stories over meals, I felt so much mutual interest and respect. I work as a travel writer for newspapers and magazines on occasion, and I try to approach each new location and its inhabitants with this same interest and respect.

4. In a review of “Gringa: A Contradictory Girlhood“, Booklist writers, “LGBT families and immigrant kids will want it for honesty, humor, and love. Every lively chapter ends with a detailed recipe that mixes food and feelings.”

Food is such an integral part of life. How do you feel these things, honesty, humor, love, food, and feelings, come together when writing?

Cooking is just so much fun, and so meditative when you’re chopping vegetables or beating egg whites or shelling peas. I always remember Laura Esquivel’s novel “Like Water for Chocolate” and how whatever emotion the protagonist, Tita, was feeling while she cooked somehow made it into the meal she served. I’m careful to think kind, loving thoughts when I cook, just in case I’m imparting emotions along with my enchiladas and carrot cakes.

When you get to cook with people, creating a meal all together, opportunities for intimate dialogue abound. I grew up cooking with my mother and her partner, my grandmother and my sister, both in the kitchen and around campfires. We talked constantly during these hours, and since my family comes from show-business stock, we did plenty of dancing and singing and joke-telling, as well. Now, we tell stories about memorable holiday meals–the time Mom and Annie dropped the cooked Thanksgiving turkey on the kitchen floor, the first time the man who would become my husband dropped a beautiful unbaked pie on the floor–and just howl with laughter. One of my great pleasures in life is to visit my mothers in Southern California and help them cook a big meal. It’s very easy to recall the emotions inherent in cooking together when I need to write a scene involving food and/or cooking.

5. Conversation is vital when developing relationships. It is what makes dialogue such a key element in fiction. When writing memoir it is very rare that a writer has transcripts or recordings of actual conversations. What tips do you have for writers writing memoir dialogue?

This will strike some writers as shameless, but I make the point in the workshops I teach on memoir writing that we do not go through our lives carrying around a digital recorder and video camera, and so we sometimes need to create dialogue. If you can’t recall what your great-grandmother said word-for-word when you were six years old, does that mean you shouldn’t give her a voice in memoir? I believe there’s an understanding between the memoirist and most readers that dialogue has been created out of memories which stay true to the character. For Gringa, I relied on journals I’d kept since age 9, as well as photographs, conversations with my mother and sister, and in one case, a recording I’d actually made of my grandmother.

There are other ways to approach dialogue as a memoirist, of course. The writer might craft something speculative, such as “Although I can’t recall her actual words, my great-grandmother might have said, ‘Why, yes, honey, I had a Latino boyfriend in the circus.’” (That’s true of my great-grandmother, by the way, but I find such speculative sentences awkward, with the effect of pulling people out of a narrative story.

I’m interested in how David Sedaris refers to his work as “stories” rather than “memoir.” I think he saves himself a hell of a lot of trouble in making this distinction. To close on this controversial subject, I think it’s all right to recreate dialogue if you stay absolutely true to your characters and their situations, but I don’t admire those memoirists who make up entire pasts for themselves for the sake of sensationalism.

6. You teach a wonderful memoir writing course with U.C. Berkeley’s online extension program that is open to the public. Is there anything you learned while writing “Gringa” that you share with your students?

I share my views on dialogue, and I urge my students to experiment with a blend of narration and dialogue, plus vivid sensory description and subtle characterization. I encourage them to play with the form of memoir; one student eventually turned his memoir about being a boxer-turned-tap-dancer into a one-man show in San Francisco. Another student wrote her final memoir in stream-of-consciousness narration similar to Dorothy Parker‘s short story “The Telephone Call.” I thoroughly enjoyed writing Gringa, even when the process felt painful, and I teach my memoir students to approach their memoir with the same levels of honesty, commitment to emotion, and humor.

7. One of the aspects of our upbringing which shapes the adults we become are our family. Family is also a defining factor in your memoir. What do you think makes family moments memorable for readers?

If they’re written well, family moments in memoir trigger the reader’s own notable family interactions. I hope readers of Gringa will relate to some of the absurd, whimsical family moments with my mother that made our situation bearable (I’m thinking of dressing up in Halloween costumes and driving in her VW bus to Sambo’s for nighttime pancakes). I know, too, that some people who read the accounts of my father’s volatile outbursts will recall similar instances in their childhood. I’ve received lots of fan mail which either commiserates with my position as his daughter, or celebrates the humor that provided salvation during the four days a month I got to spend with my mother.

8. Finally, you have a family of your own now, juggling the roles of mother and writer as many of WRA’s readers do, what do you think is the biggest benefit, and what the greatest pitfall, of being a mother-writer?

Before my husband and I adopted our young daughter, my writer-friend Jamie Passaro told me that becoming a mother would make me much more efficient as a writer. I didn’t believe her at the time, but now–a year and a half into being a mother–I see that she’s right. I carve out hours between caring for my daughter to write. Gone are those daylong stretches of free time during which I could just wander in and out of a chapter or essay at will, going for a long run in between, and maybe meeting a friend for lunch. Now, I have to write down and dirty during naps and preschool. Honestly, I don’t mind this at all; I think it’s made me a better writer.

The pitfall, most definitely, is having to be away from my daughter and husband while I’m on book tour or teaching workshops. I’ve done an awful lot of traveling since Gringa came out in October, and I’m scheduled to do much more in the form of writing conferences and classes. I adore teaching, and while I’m in the midst of interacting with students, I’m fine–but I hate telling my family goodbye before even an overnight trip. I guess I need to bring my laptop and Skype with them!

Thank you for sharing so much with me today, Melissa. It sounds like you live a full and busy life. I’m in awe of all you’re doing for yourself, your family, and the greater community. I’d like to take this opportunity to open the floor up for others if they have any questions.

27 February 2010

How important are relationships to your freelance writing business? If your business is anything like mine word-of-mouth accounts for up to 80% of your paid commissions so building relationships is vital. Meeting new people is important but it is just as, if not more, important to develop and reinforce the relationships you’ve already established. Is strengthening your working relationships one of your goals for 2010?

Writing a recommendation or testimonial is an effective way to boost morale and deepen a professional relationship. If you value the professional courtesy and service you’ve received one of the simplest ways to give back is by recommending that individual to others. A recommendation or testimonial for a job well done creates a lasting impression. People remember you for saying something encouraging and positive.

“Who are the people you most value professionally? Do they know it? More importantly, do others know? In a perfect world, we would all proactively make sure that the people who have earned our trust and respect knew it, and that others knew it as well.” ~ Adam Nash

Write A LinkedIn Recommendation

One of the reasons I love building my network of LinkedIn freelancers is because, as a community, we are encouraging and positive. No matter what level of the industry we stand on there are others around us who support our business and want us to succeed.

On LinkedIn we have an opportunity to connect with new friends or colleagues. We can create a new impression on people we’ve worked with in the past, see what our associates are doing now, find professionals to work with on new projects, and reconnect with talented minds to deepen relationships. But how many of these connections will think of you if they need to hire a writer? What sort of relationship have you developed with your connections?

Writing a LinkedIn Recommendation is easy and it’s one of the most effective ways to put your name on the lips of the person you recommend. It is important to be honest about your experience with that person but every interaction we have with another individual offers us insight into their professional atmosphere. Think about the other writer’s amongst your LinkedIn connections… Have you enjoyed a post or article they’ve written? Have you read their latest book? Have you used them as a source for something you’ve written? Have you interacted with them via social media? Have you been touched by their experience? In what way has that person affected you positively?

“Be aware that the person you’re writing the recommendation for is looking for your words to help act as leverage with a prospective new business partner.” ~ Chris Brogan

Get Started Now! I’d love to connect with you on LinkedIn and exchange recommendations in our quest to get to know each other better. A special shout-out goes to the five wonderful ladies (Michele L. Tune, Mysti Guymon-Reutlinger, Kimberlee Ferrell, Hope Wilbanks, and Jenn Greenleaf) who have recommended me in the past!

#FollowFriday on Twitter

Perhaps the quickest and easiest way to say, “This person is great” is to join the #FollowFriday trend on Twitter. Every Friday, Twitter enthusiasts offer up name after name of fellow tweeters they recommend. I suggest adding a few words about WHY you recommend a particular Twitter user because I like to know why “I” should follow them. But even if you don’t offer any detail, just taking a moment each Friday to name-drop is a rewarding way to let those you admire know they offer value in your life.

“The idea is to think of interesting people you already follow and recommend them to others.” ~ Micah Baldwin

Not only is this a great way to show your support and respect for the people you follow on Twitter but it is also an opportunity to grow your following. You recommend your friends to others and they recommend people you might be interested in getting to know. Writers are constantly recommending fellow writers on #FollowFriday and your recommendation can lead you into further Twitter discussion with your personal Twitterati.

Get Started Now! Follow me on Twitter and join the #FollowFriday craze.

Testimonials, Endorsements, and Reviews

Twitter’s #FollowFriday and LinkedIn’s Recommendations are all about WHO. But another way to build relationships is to share the WHAT. That is where testimonials, endorsements, and reviews carry the most weight. On Writer’s Round-About we have a whole category dedicated to Reviews and Reviewing. If you’ve read a fantastic book, watched an entertaining movie, used an effective tool, or purchased a quality product you can build a relationship with the creator by writing a recommendation of their product.

You can even recommend content you find online by sharing a link. Use bookmarking and sharing tools available on most blogs. Take a moment to thumbs up on your StumbleUpon Toolbar. Use your favorite social media networks to spread the word about what you’re loving online. Write reviews for blogs, send testimonials in to website owners, add your reviews to sites like Amazon, etc.

And you can do this with anything at all. People talk about the food they love to eat, the gadgets they want to buy, the brands they love to use. These simple recommendations develop relationship, not just with the creators of the products you recommend but with the people you are recommending them to. If I’m looking to buy a new game console I’ll remember how much you raved about your Wii.

Get Started Now! Have you used a product or read a book that has helped you be a better writer? I’d love to take this opportunity to invite you to submit your review to WRA. Tell others what you think and share your recommendation with WRA’s readers.

A Final Word: Recommendations in Reverse

One final thing to remember is that recommendations work in reverse. If you feel a product fails to live up to expectations, a practice is shady, or a person has falsely presented themselves you can say so. Act with integrity, be honest and forthright. A balanced review will have more weight with readers than a biased one but you should avoid sounding trite or petty.

Remember: What you say about others says a lot about you.

Writing recommendations is a fantastic way to develop relationships with others and there are lots of ways you can express your opinions. Who has added value to your life? How do you show your appreciation? What have you done today to strengthen your business relationships? Share your thoughts and opinions in the comments!

4 February 2010
New Beginnings And WRA’s Theme Tweaks

What have you learned from the past that allows you to create a new beginning in 2010? January is a great time for new beginnings and this month I’d like to introduce “beginnings” as a theme.

In November 2009, Web Betty gave Writer’s Round-About an excellent technical review. She corroborated some ideas I had for changes I wanted to make to the blog theme. Today, I launch WRA’s tweaked theme, version 2.0, and I’d love to know what you think about the changes. What do you like? What do you hate? Do you have suggestions for things you’d like to see done differently?

Launching a new version of the WRA Theme is just one of the “beginnings” we’ll see on Writer’s Round-About this month. Later in the month we’ll share posts that relate to how beginnings affect us as writers, from how to find those first words that begin a new story or article, to how our beginnings, our headlines, our hooks, our opening paragraphs, impact the way readers interact with our content.

What comes to mind when you think of beginnings as a writer? Write about it and then consider beginning 2010 as a WRA contributor where you can share your writing with other freelancers from beginning to end?

10 January 2010

When Angela and Jodi first approached me to host Sue Silverman on her book tour I saw the word, “Memoir” and thought, “I don’t write Memoir and I don’t ever plan to.” But, Sue is a writer and “Fearless Confessions: A Writer’s Guide to Memoir” is not a book about memoir, it’s a book about writing.

Sue is incredible. After our initial contact she got a copy of her book into the post for me and it arrived within days. That was over two months ago, and while at the time I promised to move “Fearless Confessions” to the top of my reading list, I put it off, and off. Some deep, secret reserve held me back from opening the covers. Fear and perhaps an inner knowing kept the book at arms length. I would glance at the cover, feeling guilty because I knew that I would be reviewing the book this month and I really needed to have read it to do that.

Fear comes at us in all areas of writing, be it memoir or fiction, because, ultimately, with each word we write we tell the story of ourselves. I’ve struggled with my current novel because I know that there are elements of myself in each of my characters and I don’t know them. I don’t know myself enough to know these characters. Knowing that in finishing this novel I will have to truly learn who I am creates gargantuan writer’s blocks built of fear.

Perhaps, that is why “Fearless Confessions” found its way to me. I opened the pages and began to read and I could see myself in Sue’s words. I knew, from the first page, that this book would force me to look at my own situation, and, if I could muster Sue’s courage, it would force me to explore who I am. In turn, perhaps it would allow me to finish my novel.

Toward the end of each chapter, Sue William Silverman asks us to participate. It is not enough to be actively engaged in her voice and the heart she shares on her pages. Sue pushes her readers to take action, to begin now, to grasp courage and move forward. In book form it is tempting to skip over these writing exercises. It takes courage to commit to the exercises just as it takes courage to begin reading. But in claiming that courage with each exercise, it becomes easier to do the next.

Although there is a definite slant toward memoir writing through the book, “Fearless Confessions” is about all writing, particularly fiction writing. The techniques Sue shares are cornerstones in all excellent writing. Learning these skills and developing the craft of storytelling will improve your writing in every aspect of your life.

When we are first learning to read and write we are taught to distinguish facts, “An apple is red.”. As we grow older we’re told to expand on this, “An apple is red and round.”. As we discover writing as an art we learn that there is far more to every aspect of our lives then the simple facts. “Red” and “round” are no longer descriptive enough to truly convey what an apple is.

Sue Silverman’s “Fearless Confessions” asks us to look deeper. To see with adult eyes the complexity of life and express that complexity, in full, rich, evocative color, on the page. She asks us to discover ourselves in our writing and in turn, discover our writing within ourselves.

If you’ve ever wondered how to develop your writer’s voice, how to put emotion on the page, how to tell a story that readers live and won’t want to put aside, then you need to discover your own “Fearless Confessions“.

Now, it’s time to return to my own story.

Ask Sue Silverman and Win!

Please, don’t forget that Sue will be visiting Writer’s Round-About on the 21st of August and you still have a few days to ask your questions and enter the draw to receive your very own copy of “Fearless Confessions: A Writer’s Guide to Memoir“.

10 August 2009
MaAnna Stephenson Visits WRA In July

I’m excited to announce that we are hosting a special guest, MaAnna Stephenson, author of Just the FAQs, this month. MaAnna is a talented writer who has recently launched a series of instructional eBooks that share, in simple terms, the technical aspects that often confuse writers trying to promote themselves online. Are you wondering how to begin a blog of your own, create a website, or get started with article directories? MaAnna answers these questions and more in her Just the FAQs series.

Even better is your opportunity win! Leave a comment on any of MaAnna’s blog stops for a chance to win one of two free Just the FAQs eClasses. To find out more about MaAnna’s Virtual Blog Tour including a list of her scheduled blog stops click here.

Also in July I’ll review, “Can I Change Your Mind?“, a fantastic book on the craft and art of persuasive writing by Lindsay Camp and the book I won at Writing The Cyber Highway, “Grammar Girl’s Quick and Dirty Tips for Better Writing” by Mignon Fogarty.

What else would you like to see at WRA this month?

1 July 2009
WRA Welcomes George Singleton – March 2009

This month, we have the wonderful pleasure of hosting talented author, George Singleton. George’s latest book, “Pep Talks, Warnings & Screeds“, is now available and to celebrate its successful launch WOW! Women On Writing has organized a grand blog tour.

On Tuesday, March 3rd, George will share a captivating guest post. You have the opportunity to greet George and ask any questions you may have for him during his visit. I will share my review of “Pep Talks, Warnings & Screeds” and discuss some of the topics highlighted in George’s book.

March is also the perfect month to stay tuned because later this month I will be giving away a copy of George’s book, “Pep Talks, Warnings & Screeds“, to one lucky winner. Subscribe today so you won’t miss out on the contest details.

Please, join me in welcoming George Singleton! I hope you’ll enjoy your visit, George, and congratulations on your continued success.

1 March 2009
Rebecca Reviews Rescue Time At Zen Working

Time is, perhaps, our most valuable commodity. Whether you collect your pay by the hour or spend hours playing video games there is a wealth an energy to be gained by using your time effectively. Do you know how you spend your time or how much time each task requires? Could you work more productively?

For several months I’ve been evaluating and maximizing my work and play time using a fantastic web tool, Rescue Time. Do you need a way to rescue your time?

Check out the full review at Zen Working! (Zen Working is no longer available. I’ll be writing a new review soon that shares some of Rescue Times great new features.)

29 November 2008
Guest Post at Get Paid To Write Online!

Have you wondered where else on the web you’ll find me?

In August I wrote a guest post for Sharon Hurley Hall of Get Paid To Write Online. Sharon is a fantastic writer and in January I reviewed her blog. Get Paid to Write Online has come along way since then, through a makeover or two and is better than ever.

Sharon recently launched the Get Paid To Write Online: Premium Courses. These articles offer even more fantastic advice and guidance for writers through every step of their freelancing journey. It’s an exciting new venture that I look forward to investing myself in the new year. Now could be the perfect time for you to get involved too!

Meanwhile, I hope you’ll stop by and read my guest post, “Expand Your Skill Set“, where I discuss the importance of knowing, acknowledging, and growing your unique arrangement of skills. Developing the habit of appreciating what you can offer your clients and editors is a vital step to earning what you are worth as you wend around the Writer’s Round-About.

Get Paid To Write Online

10 October 2008

“Never leave the site of a goal without taking some action towards it’s attainment.” ~ Tony Robbins


Anthony Robbins Mastery Programs and Leadership Results
The next step when it comes to setting goals is to devise your action plan. These goals look pretty on paper but without taking firm steps toward their accomplishment they may linger in good intentions. Start by posting your nine primary goals in a place where you can see and review them every day. Now, for each of these goals write down two actions you can take within the next 24 hours that will move you closer to these goals. Repeat this step every morning.

“Fundamentals need to be practiced daily.” ~ Tony Robbins

Your action steps should be small and measured. If you dream of touring the world in a class one private jet the first step isn’t to board the plane. You’ll need to gather travel brochures, look up costs, budget your finances, talk to a travel agent, discuss the idea with family. There are many small steps you can take toward accomplishing your goal and by surrounding yourself with the images and actions that take you closer to this goal you reinforce it’s importance in your life, you reinforce your belief that it can, with steady forward momentum, be accomplished.

“With Goals we create the future in advance. We create our destiny. We shape our life.” ~ Tony Robbins

Each day, read over your goals and remember why they are important to you. Take action on those goals so that you are always moving toward them. If you feel yourself waving sit down and practice The Rocking Chair Method again.

“You become a creator when you write down goals and become absolutely clear on why you want them. The WHY behind your goals is their real power.” ~ Tony Robbins

Each month you may like to examine your goals again. Are these goals still important to you? Do you have new desires you would like to add to your list or have other goals moved ahead in priority? It is important to review and revise your goals as this will keep you motivated and on track to those things you truly want and deserve. The person you are today will not be the person you are tomorrow and your needs will change. Reflect on those changes and allow them into your life by adjusting your goals and direction to match.


Anthony Robbins - Get the Edge!

“With the ability to desire a goal comes the ability to achieve it.” ~ Tony Robbins

What will you do today to take action toward your goals?

4 September 2008