“Teaching someone to write is a bit like teaching someone to ride a bike. You can tell them to sit up straight and pedal really fast but all those little adjustments you make while you’re riding a bike, that’s just something you have to do instinctively.” ~ Michael Robotham
I love attending author talks. I always come away from them inspired and excited. This is again the case following tonight’s Conversation with Michael Robotham at Success Library. A talented Australian crime writer, Robotham visits Perth for Crime Scene WA, which is on this weekend, and soon heads to Canada and Germany with his latest book, Life or Death.
I had a wonderful time at Success Library this evening. The new library is huge and stunningly beautiful. It still has that “new” smell and it’s so light and clean and expansive – you feel like you could get lost in all that space. There is a meeting room above the library with a kitchen and event area that overlooks the library below which is really cool. Then there is the larger presentation room that seats up to 170 people. I’m thrilled to have had the chance to go to their first event in the new space, the conversation with Michael Robotham, because I’ll be presenting a NaNoWriMo Information Session there on the 16th of October and it’s nice to get a sense of the space before using it. I have to admit we’re going to feel swamped by space because there is no way we’ll have the numbers Robotham had, in fact, I might recommend we have the Info Session in the smaller meeting room.
Anyway, back to Michael’s event, I have to admit I’m jealous of his relaxed and natural demeanor. He made it look easy, and I know from my very limited experience that presenting, even in conversation-style, is daunting. Of course, Robotham has been in the industry many more years than I have, he’s interviewed famous people like Spice Girl, Geri Halliwell, and English actor, Ricky Tomlinson. It was fun to hear his anecdotes about his experiences as a ghost writer and of course funny to consider his wife feeling that fiction writing is a step into the mundane in comparison. Truly, what’s more interesting? Saying you had dinner with a celebrity or admitting you spent the night alone in front of a computer screen.
One of the key points that remained with me tonight is that Robotham admitted he writes every single day, even on tour as he is now. He’s away from home, busy with radio interviews, author events, conferences, and the rest of the promotional hamster-wheel Hachette has him running, but he still takes a few hours every day to work on his new book. He also said that he has ideas one at a time, (sometimes I wish for THAT rather than having a dozen ideas all wanting to be written yesterday), and that he has a few hours of panic after finishing a manuscript worried he’ll never have another good idea – and then inevitably does and begins writing the next book a few hours after hitting send on the one before. This is steadfast professionalism. It’s the kind of staying power and dedication to his career that I’d like to develop within myself. He had some advice for me when I admitted that it wasn’t finding time that was the issue, but in using it when it was available instead of running scared. He said, “You need to glue yourself to the chair.” And he’s right. Those hours I’ve blocked off for writing need to be non-negotiable. “Glue yourself to the chair” and get the writing done because without the words you have no books, and with readers waiting for the sequel to The Flight of Torque, I definitely need to make those words happen and develop a regularity over doing it.
It was reassuring to hear that Robotham takes years for some books to come from idea to finished product. Life or Death was inspired by a real-life story of a convicted felon who broke out of prison the day before he was due to be released. Michael talked about how that real-life story unfolded and other than that initial premise the true story “bares no relation to the novel”. Convicted murderer, Tony Lanigan, escaped from prison in 1995 “on the eve of his release” and then turned himself in the next day to score himself two years added to his sentence. Then, two years later he escaped again and they didn’t run him down because they thought he’d turn himself in again; he’s never been found since. Still, that initial seed, ‘Why would a man escape prison on the eve of his release?’, was planted in Michael’s mind in 1995, but it took almost ten years before Robotham could come up with a truly compelling reason. At that point Robotham hadn’t written any fiction and thought, “I don’t know if I’ve got the ability to actually tell the story”. That’s how I felt about The Flight of Torque when I shelved it in 2007 after starting it in 2006. Almost ten years later again, and nine other novels under his belt, Michael finally decided “Okay, now or never, I’ll give this one a crack.” That’s a book that took almost twenty years to write!
I guess the true take away lessons here are to “glue yourself to the chair” no matter how long it takes!
I saw a really cool movie trailer while waiting for Guardians of the Galaxy to begin in the cinema on Thursday. Then those magic words popped up…
As I’ve mentioned before, I LOVE book-to-movie adaptations and the trailer looked like another one I’d truly enjoy. So, as a few other previews played, I grabbed my iPhone and snapped up a copy of The Maze Runner by James Dashner for Kindle. Obviously, I didn’t read the book right there in the cinema, but it made for an interesting weekend read.
I have to admit, I wasn’t captivated by the beginning. The book is slow to get off the ground. The premise is interesting, but I didn’t really find myself caring about the characters; perhaps because it’s almost exclusively a teenage male cast (and therefore typically a teenage male target audience – which as a adult female I most certainly am not). Perhaps it also had something to do with the odd, and unlikely amnesia the boys all experienced. The internal monologue of the protagonist harped on about the amnesia as if the author was trying very hard to convince readers that the specificity of the characters amnesia wasn’t implausible. Basically, I found myself a little frustrated in the early stages of the book.
I think another thing I found frustrating was that it seemed to take quite a long time for “stuff” to “happen”. The kid is hauled up in the box, it’s terrifying, no memory, we get that. It’s enough of a hook to make us wonder why so we’ll hang with it to find out. Next day a girl comes up and that’s never happened before (according to the other boys, but the POV character being new really doesn’t find it any big deal), but then the book takes several chapters to really get to the action. The setting is detailed, the strange language given some life, and the general day-to-day world of the story unfolds with very little drama.
Thankfully, the latter half of the book does pick up. We’re given a firm sense of “the bad guys”, given face by the ugly machines that were difficult to truly picture because, as a blend of oozy/fleshy/blob and sharp pointy needles and metal, the creatures never really sharpened in my mind. But we’re also given a sense of the greater evil, and finally begin to empathise with the boys. Lab rats, clearly, but motivated and proactive despite their situation.
By the end of the book I found myself enjoying it. In the final chapters I was turning the pages to find out what happens next where in the beginning I kept reading from sheer stubborn determination not to give up since I’d already mentioned my plans to read and review it. The trouble is, the book ends with a clear sense of the sequel, but I’m not leaping out to buy the next book. I would like to know what happens next, but I wasn’t spellbound by the writing and am not keen to wade through it again.
I am, however, still keen to watch the movie. Having read the book, it’s the kind of book I suspect lends itself to cinema better than print. A good director with a fair budget will hopefully draw out the magic in the story. The fact that it’s produced by 20th Century Fox gives it some real potential and from the trailer I can see the cinematography is spectacular. I think, as a movie, this one could be pretty cool. Check out the trailer for yourself and let me know what you think.
Have you read the book? What are your thoughts?
I stumbled across this pretty cool nugget while I was browsing the web last night. Can you believe I wrote this May 22, 2007!!! It’s amazing how much changed in the years between when I wrote this and when The Flight of Torque was finally published in June 2014.
Please note, this is entirely fictional. It’s was fun to play with the idea of being interviewed by someone famous as a “what if” or “someday maybe”. This was in response to exercise 15 from Page After Page by Heather Sellers. (Speaking of interviews, here’s one I really did give recently at Worlds of Wonderment!)
O: On The Book Club tonight we’re very lucky to have with us an acclaimed author known best for her fantasy series, “Torque”. she has been awarded for her fiction, non-fiction and yes, even poetry. Please put your hands together for the lovely, Rebecca Laffar-Smith.
[Audience goes wild as the famous author walks on stage and embraces Oprah then quiets as the two women sit and make themselves comfortable.]
O: Rebecca, it’s wonderful to have you with us. I understanding you’re promoting your new series which has been getting rave reviews. I’ve read it myself, finished it just last night in fact and I have to say, I COULD NOT PUT IT DOWN. It’s really incredible. Tell me, what’s it like to write another best seller after the success of your last series?
R: [smiles shyly] Wow, thank you Oprah, it’s really wonderful to be here again. Actually I love this new series and I’m so excited the first book has finally reached readers. I’ve been getting so many letters from readers who loved the first series and wanted to know what I was working on next. I have to admit I was a little worried this new direction might alienate a few of my readers but it actually seems like more and more of the books are selling. I understand HarperCollins have had to go into their third run, the demand has been just amazing.
O: [nodding] Yes, the last time you were here we had only just discovered you after the release of “The Flight of Torque“. That was the first of the series. Did you ever think the books would be so popular?
R: [chuckles] Gosh, no. I remember when I was writing Flight of Torque I had so many doubts. It was a rough year and I went in so many wrong directions I often wondered if I’d ever finish the book. Even then the thought of its success was just a spark amongst the tinder of my imagination. It hadn’t taken off. I mean I joked about Jessica Alba staring in the movie, but when it actually happened, wow, it was just incredible.
Now with this second series I wanted to delve a little deeper with the character aspects of my new cast. I wanted to get a little more ‘real’ with my characters and show normal people being called to do extraordinary things. I have to admit that Tori, well, we could hardly call her ‘normal’. [chuckles as audience chuckles] I know, she’s practically a super-heroine but I wanted to branch away from having characters that weren’t completely relateable in modern day. I also wanted to explore the celtic/pagan branches of my own heritage and take a step backwards into medieval times. I think those who loved Torque will find a whole new way of seeing the world with the new series.
O: Well, I read your book and our audience tonight have ALL been given a copy. Yes, yes, check your little bags under your chairs, you all have a copy of Rebecca’s book and I’m sure you’ll all love it as much as I did. [Audience shuffles to dig up their goodies with oh's and ah's. I'm smiling.] But tell me, what can we expect from the rest of this series?
R: Oh, I couldn’t really go into that Oprah, it would be telling… [winks] But what I can say is that one of our favorite characters has a revelation no one could possibly guess. In fact, [appears to ponder] I’ll give five-hundred dollars if one of my fans can email me [email address appears on screen] with what you suspect is going to happen and guess correctly. [emails start going wild before the show even finishes]
These new characters are so embedded in their world and each is sparked with their unique brand of humanity that it is going to be interesting reading as they come up through the conflicts, some of the past, some of the present. They’re going to be facing inner demons but ultimately they’ll grow into remarkable people. They have their own story to tell and even I’m continuing to learn from them day after day as I write.
O: I know you have the next few books of this series but are there any plans for beyond that? And what else are you working on outside of the novels?
R: I’m glad you asked actually. Yes there are plans beyond this latest series. I wanted to work on a book that’s focused more on spirituality and the connection within ourselves. We are coming into an age where people are more in tune with their higher power and their importance in the reality of the universe and I wanted to capture that. In a way all of my books connect with the power of people, particularly the self power that every person possesses but I wanted to portray that on a grander scale.
I’ve also been publishing more of my poetry and non-fiction articles. I have my column as you all know and I’m delighted to announce that it’s finally reached international syndication which means readers all over the world will be able to share in the topics I cover every month. I have a new book coming off the presses as we speak. It’s another poetry anthology, this one focusing on the suffering involved with terminal illness. Part of the proceeds of that book go to the Xeroderma Pigmentosum Society who do amazing things for the sufferers of XP and their families.
O: That is a wonderful cause and I understand it’s important to you for personal reasons. Your brother was diagnosed with the terminal condition and died at a young age. [I'm nodding] All of your books sound like they are very close to you. Do you draw from your own experiences?
R: [smiles] Well I’ve certainly never turned into a snake, but I suppose in a way I try to use myself and my own experiences to deepen the qualities of my characters. In a way I also wanted the opportunity to express my beliefs and to reach out to anyone who’s ever suffered in life. Each of my books focuses strongly on a deep truth that I wanted to share with my readers. In The Flight of Torque it was all about the importance of having faith in yourself. Without that Tori and Lucas could never have been the amazing people they were. I’ve been learning, along with my characters I suppose, and it’s wonderful to be able to share that experience with my writing. It’s such a vital element of who I am and how my world is shaped.
O: [nodding, audience enthralled] Thank you so much for talking with us tonight, Rebecca.
R: [smiling] Thank you for having me, Oprah.
O: I’m sure we’ll see more of you in the future. [turns to camera/audience] If you want to get a copy of any of Rebecca’s books they’re on sale now at all major bookstores or you can order them online. You can also order copies of, “Born To Say Goodbye”, which is set for release later this week, remember part proceeds go to the Xeroderma Pigmentosum Society and you can make donations to support their cause directly to their website, via this number or through Rebecca’s website. [phone number and web address flash on screen]
I hope you’ll all read her books and come to see the wonderful insight this lovely young woman brings into the world. She conveys the depth of human emotion and spiritual connection in enchanting stories that delight the mind and are sure to reach out to all readers. Thank you for joining us with another book club.
The interesting thing about this is that seven years later I still have these plans for works I’d like to complete. Some of them are already in production. The Flight of Torque took a great deal longer to write than I expected, but I’ve grown so much in those years that I feel like I’m finally ready to launch my career. I’m developing discipline, focus, and strategies to get things accomplished.
*chuckles* That was pretty fun. I challenge you all to go interview yourself on Oprah. *wink* That was exercise 15 from Page After Page by Heather Sellers. Interview yourself as if you’re an already famous writer, discuss your future projects, and what you would like to write about. Feel free to share your interview (or a link to it) in the comments below. I’d love to read it!
I just blazed through this pretty clever book, How to Write a Novel Using the Snowflake Method by Randy Ingermanson. I mean blazed, I opened it for the first time a few hours ago and devoured it in one brief sitting. It was enjoyable, and informative. The lightness of voice and the unique fictional non-fiction kept me fascinated.
Using a cute fictional fable with some of our favourite fairytale characters, Ingermanson breaks down his Snowflake Method for planning/outlining a novel. It’s really quite brilliant, and I was surprised at how easily his steps resonated with my own process. I could see how the method can make the initial planning stages simpler to enact. It takes the guesswork out of how to go from initial idea to fully-fleshed and detailed story concept.
If you’re a pantser you’ll HATE the Snowflake Method (but may still love the book). I think planners will love both. If anything, it takes planning to whole new levels and gives us a solid outline that takes the guesswork out of writing the first draft.
The Snowflake Method breaks down into ten tasks.
- Define your Category (Genre), Target Market, and 30-word Elevator Pitch/Story Sentence
- Expand your Elevator Pitch into a One-Paragraph Summary
- Summarise each of your characters:
Role, Name, Goal, Ambition, Values, Conflict, Epiphany, One-Sentence, One-Paragraph
- Expand your One-Paragraph Summary into a One-Page Synopsis
- Create One-Page Synopsis for each of your characters
- Expand your One-Page Story Synopsis into a Four-Page Long Synopsis
- Create detailed Character Bibles for each of your characters
- Create a List of All Scenes
- Define Proactive or Reactive Elements for Each Scene
Proactive: Goal, Conflict, Setback / Reactive: Reaction, Dilemma, Decision
- Write the first draft based on the outline of each scene
I’m looking forward to putting the technique into practice with Birth of the Sacred Mother. I’m in the early planning stages now and have kept fumbling with my outline. As I read, How to Write a Novel Using the Snowflake Method, I could see where my weaknesses came from. Like Goldilocks, I’ve been a little shy about fleshing out my antagonists. Now, over the coming days I plan to take the ten-step approach one step at a time and see how it works for me.
I highly recommend this book. Even if you don’t use the method exactly as described, the fiction element makes for a delightful story and the book is a very quick read. Not to mention the fact that the Kindle version is only a couple of bucks. You’ll get ideas and begin to see your own stories differently. You may find there are aspects of the method you love and can use. Ingermanson (or rather Baby Bear) recommends adapting a Creative Paradigm that suits you. That’s what I’ll be doing with the Snowflake Method because I know there are parts I’ll find very useful, but I also still love The Hero’s Journey and that will play into my outline. It’s about adopting what works for you and adapting your own personal technique, one that heightens your efficiency and makes it easier to tell a great story.
Defining your novel in 30 words or less is incredibly challenging but it’s a great marketing tool and an even better outlining tool. The elevator pitch forces you to coalesce your story idea, to crystallise it into a single, sharp image with a compelling protagonist, a powerful antagonist, a vivid setting, and a captivating twist. It should give your reader a sense of genre and target market. It should also clearly define your story so you have a firm sense of what your book is about.
I know, you’re wondering how do you get all that information into a single sentence? It does take some practice and it does take some crafting. But that’s part of what makes elevator pitches so powerful.
I actually had more trouble nailing down The Flight of Torque than I have its sequel Birth of the Sacred Mother. I have three elevator pitches for FoT:
1. In this inspiring urban fantasy, blood-charmed heiress, Tori, and her wingless guardian angel, Lucas, defy the ministrations of the sinister cult that transformed her into a monster.
2. When a blood-charmed heiress is irrevocably transformed by a sinister cult, her wingless guardian angel learns that keeping her safe comes second to keeping her alive.
3. In this inspiring urban fantasy, blood-charmed heiress, Tori, is irrevocably transformed by a sinister cult. Her guardian, Lucas, is helpless to save her. Now something dark and primal slithers within.
All three are good, but none of them are great. I like the third best because of the phrase: “Now something dark and primal slithers within”, which I also use on my back-cover blurb, but number three is also broken into three separate sentences instead of one single sentence. Number one is good, but I don’t like the term “monster” because that’s not really what she becomes. I also have trouble with “wingless” in both one and two because the cover clearly shows he has wings, and while there is portion of the book where he is wingless, he isn’t always. These are all sorts of things to consider when writing your elevator pitch, getting it “just right” requires quite a lot of thought and effort.
The thing to notice about all three of these pitches is that they all introduce Tori and Lucas (the protagonists) and the cult (the antagonist). All three also define the problem (transformed into a dark and primal creature/monster). They also all give a firm sense of the genre, with one and three stating it outright and two leaving the content to allude to genre. Using powerful descriptive terms for the characters gives readers a sharp sense of who the book is about, a “blood-charmed heiress”, a “sinister cult”, a “guardian angel”. Readers are left with a clear sense of who the characters are. The phrasing also gives them a sense of setting.
Today I wrote the elevator pitch for Birth of the Sacred Mother:
I feel very good about this pitch. It crystallises the work for me, and I think that is another great thing about a well-crafted elevator pitch. A great pitch motivates the work. When I read that sentence, it throws me into the story and compels me to get to work. The main job of an elevator pitch is for marketing, to compel readers (or agents or editors) to want to read your story. But in the early stages, during the planning and outlining, I think working out the pitch helps give a writer a clear sense of their story. It is a foundation to come back to, and one that can guide the story because it is ultimately the story’s root.
Now I’ve got a strong elevator pitch, I’ll evolve that concept into a one-page summary. A one-page summary helps to develop a clearer sense of how the story will unfold. I’ll also be fleshing out the characters in more detail.
This early stage, just before the draft comes together is really exciting. But it’s also difficult because I have a few different projects in mind at the moment so I’m frequently feeling torn between them. I’m very excited about all of them and would like to get two of them off the ground as soon as possible. They are shorter projects so shouldn’t take as long to write as Birth of the Sacred Mother, but every minute I spend on them delays this book and now The Flight of Torque has readers there may be people waiting on the next book! Dilemma!
Speaking of people waiting on the next book, that’s very much reason for me to wrap up this blog post. But if you have any questions about writing, about the books, about the craft of writing and planning/outlining a novel or short story, leave them in the comments below or catch me on Facebook.
For those not sure if The Flight of Torque is something you’ll enjoy, I’ve put together a free sample. The Flight of Torque Sample gives you the prologue and first two chapters to enjoy. See if you become immersed in the story and want to find out how it all unfolds. This is a risk-free way to find out if The Flight of Torque is your kind of read.
The free sample is currently available free on Kobo, Google Play, and Apple iBooks. The sample is also listed on Amazon but not currently free. I need some awesome people to do me a huge favour and click the “tell us about a lower price” option from the Amazon page. Report the Kobo URL so that Amazon will price match the freebie version. Unfortunately, little ninjas don’t do this part of the process and it’s tricky to get the free listing with Amazon.
If you love the free sample, then you can pick up the full book from Amazon or sign up to be notified when the full book is available in your favourite eReader. I’ll release to other devices based on reader demand so even if you picked up a Kindle copy of the full book, update your reader details with your preferred format to increase its priority.
That’s it from me for now. Enjoy your reading!
Imagine experiencing a world around you that no one else can see. Imagine having visions of a boy calling you into another reality. Imagine losing the edges of your mind and discovering that the real world was an illusion tangled in a conspiracy.
This is the world Eila Doyle, a 15 year old resident of Waldron’s Gate, finds coming to her when her mind should be in the empty, quiet rest of sleep. As a Builder, she is proud to be involved in manifesting Waldron’s Gate innovations, but she never questioned where those inspirations come from. Never, until she started doing what no one in Waldron’s Gate ever did, dream.
The Dream Engine is a magical book that explores what it is to believe and the right of individuals to own their dreams and creativity. Follow young Eila as she begins to question what her society has always held to be true, and to experiment with bucking the norm in pursuit of her own truth. What is on one level a touching, thrilling, and entrancingly captivating read transforms into a deeper message that speaks to today’s readers, young and old.
Via Fiction Unboxed, I had the joy of watching Sean Platt and Johnny B. Truant (with David Wright) breathe this book into being. I’m still in awe with the way this book went from nothing to published in just 30 days! Enjoy the book in its first days from initial story brainstorming through early drafts and compare to the final published version. With daily blog posts, hours of story meeting video footage, multiple draft documents, and even live early draft readings by Sean, Fiction Unboxed is amazing to experience every step of the way. [These are not affiliate links; I receive no compensation for making this recommendation; I recommend it purely because I love it and think other writers would gain a lot from the unboxing.]
Unfortunately, I did find a few errors in the book which come purely from the rush with which the book was produced. It speaks to the value of taking the required time to edit. But the errors are minor and do little to detract from the pure magic and pleasure the story provides.
Check it out for yourself and let me know what you think of it in the comments. What core messages did you take away while reading? What do you think it would be like to live in a world where no one ‘dreams’? Would you want to keep taking Crumble to maintain status quo or throw it away and experience the world as it really is, nightmares and dreams, a balanced reality?
Read a great science fiction or fantasy book lately? Recommend it to Rebecca for a Friday Fiction Favourite or write your own review!
Wow! Now THAT is an email that I’d love to see in my inbox again and again. It was such a thrill.
After years working on this book, months of editing, weeks of nail-biting while it was with my pre-readers, a week of editing based on pre-reader feedback, and days of working out formatting and figuring out Kindle and CreateSpace submission process, I hovered over the ‘Publish’ button, terrified but also thrilled and really, really excited.
I drew a deep breath, clicked, and then did a weird little shiver and chair dance. It was submitted, and now I had to wait while it went through the review process.
Before reaching that point, I had done a tonne of research and laboured over every formatting detail. There are 20 copies of various FoT draft .mobi versions on my Kindle from testing it across multiple devices (my iPad, my iPhone, my MacBook). I was confident that I’d done everything right. Still, it was my first, so I was cautiously optimistic but also nervous.
Then the moment arrived. That email. I clicked the link and there it was. My book. My name. In all its Amazon glory.
Now, when you first publish, the Kindle version doesn’t automatically link to the paperback. I hadn’t come across that fact in my research so I went on a hunt to find out how to link them. Turns out it propagates by itself as Amazon’s little ninja nanites jump and flip around in the backend. No problem there. Yay!
So now you can get The Flight of Torque for Kindle or paperback. It’s part of Kindle Select so exclusive to Amazon for the first 90 days. If you’d like the full book in your favourite reader, sign up here and add your preference to your reader details. I’ll let you know when it’s available. Meanwhile, you can read the free sample on your favourite device right now!
I hope readers love the book. I’m keen to hear your feedback so leave a review and/or drop me an email. I’m working hard outlining and planning the next in the Blood of the Nagaran series and your feedback may influence future books in the series.
This is just one of many milestones in self-publishing. Which milestones have excited you in your own publishing journey or which are you most looking forward to?
Actually, they’re quite cool now. Beautiful glossy covers, all crisp and shiny. Clean, cream pages, nicely weighted and stylishly fonted with comfortably-sized text. On the back under the blurb is a bar code and inside are the copyright notice and National Library of Australia Cataloguing-in-Publication entry. In the back, sandwiching 30 chapters against the contents and dedication, is the acknowledgements and author bio.
I sent The Flight of Torque to CreateSpace printers on the 30th of June and ordered 100 copies for signing and local distribution. I don’t strictly “need” them until my launch party in November, so I cheaped on shipping. The shipping estimate said I could expect the books late August. A friend and fellow indie, Lizzie Midgley, had recently shared her troubles with Australia Post holding her books for several weeks after they arrived in the country, so I was prepared for a long wait.
Imagine my surprise when just three weeks later the courier rocked up with five large boxes. I dragged them inside, tucking them into the spare inches on the floor beside my bed, and eagerly sliced open the smaller box. I had ordered 100 copies and Amazon pack them 24 copies to a box so, 24, 48, 72, 96 – there were 4 copies in a box of their own. And that’s how I saw them, four shiny, new and with that ‘real book’ smell.
There is something magical about holding a book in your hands that you wrote yourself. Completion, pride, wonder. Wow! I finished it. “I wrote this!” It’s real.
So, now I’ve got copies if anyone would like one just contact me. They are $15 AUD each plus shipping. If you live Perth Metro, Western Australia, I’d be happy to drop it to you in person in exchange for a cuppa and a chat. I’ll gladly sign and/or inscribe copies that are ordered directly from me. Alternatively, you can order it from Amazon. You can also get the Kindle version for just 99c until July 31st.
If you’d like to try before you buy you can get a free sample on your favourite device!
*Please note the Kindle version may not be free, check the price and please use the “tell us about a lower price” feature to share the Kobo URL.